As Rye sits in Obsidian’s car, the mentally crippling emotions of “growing hopelessness, purposelessness” and “jealousy” remind the reader of the enslaved android’s dilemma (99). Rye’s “powerful urge to kill another person” stems not only from her own personal issues, but from the idea that someone could have more ability and access to knowledge and expression (99). Rye nearly snaps when she realizes how she is inferior to Obsidian due to her illiteracy and how easily he may or may not take the ability for granted. The scale of the complaint seems arbitrary, but one more issue is enough to nearly set her over the edge. Her gun has the same killing power of a determined Android like Roy before his father & creator. The text places the smoking gun in the hands of a mentally polarizing character and seems to ask the reader whether or not he or she empathizes with her. Butler seems to be forcing the reader into deciding whether or not one cares if Rye hurts herself, or someone else, or both. Separately, Butler establishes a hyper-focalization on Rye and Rye’s thoughts, whereas Dick spreads some of the world-building into the thought-experiments and androids themselves. Not to hammer the nail too much, but an emotionally numb and unpredictable narrator has the qualities of an insensitive android, but reads as more real and possible. So although the decision remains on how one values the needs of a troubled human vs. a programmed android, the reader response effect develops similarly from a close narration of the darkest of emotional lows.