“‘I’m Valrie Rye’ she said, savoring the words. ‘It’s all right for you to talk to me'” (Butler 108).
The last line of “Speech Sounds” and the ending of Bladerunner (1982) are quite similar in their hope for an optimistic future. Rye met two children who can speak and so can she which creates the feeling that things will get better (at least for her). In Bladerunner, Roy’s character is able to relay his message Deckard which suggests Roy was able to at least change one mind (hopefully) about the treatment of androids. They are both singular incidents that look towards an optimistic future. The only catch is that the person whose influenced in the end is left with an undetermined future that hinders on what they will do with new found information.
“He gestured obscenely and several other men laughed. Loss of verbal language had spawned a whole new set of obscene gestures. The man, with stark simplicity, had accused her of sex with the bearded man and had suggested she accommodate the other men present – beginning with him” – “Speech Sounds”
“The clerk said, “For a toad I’d suggest also a perpetually renewing puddle…I suggest you let our service department make a periodic tongue adjustment” – Do Androids Dream of Electric Sheep? (244)
One of the major similarities between Butler and Dick is the implicit capacity for human ingenuity and reinvention of normality in response to fundamental changes in the composition of the ‘normal’ world. In “Speech Sounds,” the inability to speak produces immediate challenges and tensions (as seen in the opening fistfight on the bus) but it also showcases the ability of the human race to install a new order and system for ‘normal’ affairs of life. The quoted passage above is frankly brutal and loathsome, but there is also a strange admission of the ingenuity and adaptability required to implement a widespread, generic code of hand signals among strangers. Rye does not think of the complexity of the process required for dissemination of hand signals but rather notes the ‘stark simplicity’ of the action; in a world challenged by muteness, humans still maintain an ability to communicate and invent new methods of interpersonal connection. Likewise, the remarkable inventiveness of electronic animals in DADoES? speaks to the ability of humans to react to a challenging situation, in this case mediated through commercial forces. In the true spirit of capitalism, Dick’s world strives to produce the most satisfactory correction to its problems and demonstrates a certain (albeit limited) capacity to dull the pain of extinction. Both stories retain a clear sense of pain/tension in the loss of crucial details of reality but mitigate (or modify) the oppression of the world through the ability of humanity to evolve in response to conflict and difficulty.