Case is a cyberpunk with an existential crisis. He survives a breakneck globetrotting adventure of corporate intrigue and danger that (sort of) pulls him back from the depths of his despair, only to return to his ordinary life in the Sprawl. Life goes on.
Navigating the sci-fi tropes and events in “Neuromancer” creates a deliberate sensory overload. Even after Wintermute and Neuromancer fuse, and the endless conspirators come to rest at their final places in the plot, I think the odd feeling Gibson leaves the reader with is the sense that Case spent most of the book running, and hacking, and otherwise struggling, only to return to the life he was already living in the Sprawl. Obviously the finer details of the book this summary leaves out are worth experiencing, but still. It’s sort of related to Le Guin’s Taoist (I think) idea of everything happening at once. Gibson’s cyberspace and the matrix are in constant flux. Yet the action in “Neuromancer” keeps moving, faster and faster, only for the plot to fold in on itself. I know it’s a platitude, but what comes to mind is “The more things change, the more they stay the same.” I’m not sure if there’s a wider point to all these observations, but then again, neither is Case or Neuromancer.