Then he [Femi] embedded the footage he’d posted on his YouTube page. When he posted the story on the website, he’d make the YouTube footage live… He reread his story, editing, adding where he saw fit…The world as he knew it had changed…He clicked send. Then he sat back and waited for his world to turn yet again. His thread of story would join the vibrating of the great narrator’s rhythm.
I found this passage interesting, for it alludes to a relationship between the “great narrator,” the spider, and those who utilize media to communicate the events that transpire in Lagos throughout Nnedi Okorafor’s Lagoon. Though I am unsure of the exact function of the spider, it seems as though it exists as a force that interprets information in a way that grants the information new meaning; it “spins” information. For example, at the end of the novel, the spider claims, “The boy with no name had no destiny until I wrote that part of the story” (291). Only when the spider interprets the boy’s existence, is the boy granted destiny. By uploading his interpretation of the events that have transpired in Lagos to the internet, a global medium, Femi grants the events and perhaps even Lagos new meaning to a large audience. The multiple perspectives given throughout the novel produce the same effect. Perhaps Okorafor writing the novel is an example of this as well.